

Frequently laced into the song are Jemaine's self conscious remindings that he is not gay - 'Why can't a heterosexual guy tell a heterosexual guy that he think's his booty's fly', which lead into his revelation that he wishes that either he or Bret were female. Jemaine sings Bret, You've Got It Going On to Bret in order to try and break him out of his depressive mood regarding his body image. The following are songs featured in this episode. The scene ends with a song and music video, "Bowie", that mimics various performance styles and roles from David Bowie's career.ĭespite the disastrous meeting, the greeting card company decides to produce the card anyway, but because the chosen design is "Happy 80th Birthday, Son" very few cards are made and the band ends up earning only 50¢. A disappointed Bowie tells Bret that he is out of advice and has lost confidence in his ability to help people. This time it is Bowie as he appears in the movie Labyrinth. On the bus ride home, Murray and Jemaine express their disappointment with Bret for ruining the business opportunity and Murray becomes depressed that his management skills weren't good enough to prevent the incident or spin it well. He leaps onto the manager's desk and exposes himself. When Armstrong says that he feels that the band are not really interested in the opportunity, Bret sees it as the cue to do something outrageous. The next day they see Mel on the street who compliments Bret profusely at the expense of Jemaine who now starts to doubt his own body image.Īt the greeting card meeting the owner, David Armstrong, tries to explain the workings of the audio card to technically challenged Murray, Jemaine and Bret. Bowie advises him to do something "absolutely outrageous" when the "time is right". Later Jemaine tries to cheer Bret up himself by singing him a song he has written, " Bret, You've Got It Going On".Īfter Bowie's eyepatch suggestion causes accidents, Bret is visited again in a dream, this time by Bowie dressed as he appears in the Ashes to Ashes music video.

Jemaine visits Mel and asks her to cheer Bret up complimenting him next time she sees him. Murray announces that he has arranged a meeting with a company who are interested in using one of the band's songs in a musical greeting card. He then gets visited in a dream by a Ziggy Stardust-era David Bowie (who, as Bret points out, looks remarkably like Jemaine) telling him not to worry about his body image and advising him to get an eyepatch. Bret starts suffering body image issues after Murray accuses him of being small during a photo session.
